Photography, for me, is a way of exploring the relationship between perception and emotional experience. My work moves between figuration and abstraction, shaped by an interest in how memory, sensation, and atmosphere influence the way we recognize the world around us. I am drawn to moments where familiarity begins to dissolve — where landscapes, light, and form shift beyond direct description into something more intuitive and emotionally felt.
Working with layered imagery, camera movement, and multi-exposure processes, I create photographs that resist fixed interpretation. Rather than documenting external reality, the images reflect fleeting states of recognition, presence, and emotional ambiguity.
Nature appears throughout the work not simply as subject matter, but as a place where emotional and perceptual experiences become intertwined.
I am interested in photography’s ability to move beyond representation toward something more sensory, personal, and unresolved.